Welcome to the Rushmore Academy, an online community dedicated to the films of Wes Anderson. We have been online since August 2000. Please, have a look around, and be sure to visit the community forum, the Yankee Racers.
“When one man, for whatever reason, has the opportunity to lead an extraordinary life, he has no right to keep it to himself." ~Jacques-Yves Cousteau
The Rev. Martin Luther King, Jr. was assassinated in Memphis, Tennessee.
From his speech, “Beyond Vietnam,” given one year, to the day, before his death:
A true revolution of values will soon cause us to question the fairness and justice of many of our past and present policies. On the one hand we are called to play the Good Samaritan on life’s roadside, but that will be only an initial act. One day we must come to see that the whole Jericho Road must be transformed so that men and women will not be constantly beaten and robbed as they make their journey on life’s highway. True compassion is more than flinging a coin to a beggar. It comes to see that an edifice which produces beggars needs restructuring. [Applause]
A true revolution of values will soon look uneasily on the glaring contrast of poverty and wealth. With righteous indignation, it will look across the seas and see individual capitalists of the West investing huge sums of money in Asia, Africa, and South America, only to take the profits out with no concern for the social betterment of the countries, and say: “This is not just.” It will look at our alliance with the landed gentry of South America and say: “This is not just.” The Western arrogance of feeling that it has everything to teach others and nothing to learn from them is not just.
A true revolution of values will lay hands on the world order and say of war: “This way of settling differences is not just.” This business of burning human beings with napalm, of filling our nation’s homes with orphans and widows, of injecting poisonous drugs of hate into the veins of peoples normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged, cannot be reconciled with wisdom, justice, and love. A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death. [Sustained applause]
America, the richest and most powerful nation in the world, can well lead the way in this revolution of values. There is nothing except a tragic death wish to prevent us from reordering our priorities, so that the pursuit of peace will take precedence over the pursuit of war. There is nothing to keep us from molding a recalcitrant status quo with bruised hands until we have fashioned it into a brotherhood. (source)
Check out Democracy Now! for great coverage of this anniversary and the legacy of Dr. King.
So I’m late. In more than one way, actually. First and foremost, if you’ve been checking my movie log (and I know you have), then you will notice that I just recently saw The Darjeeling Limited. Forgive me, I know I have sinned, but it was earnest- I was at school, away from limited release theaters, when it came out and by the time I returned for Christmas it was out of theaters. When the DVD came out, they were all gone in the Blockbuster in San Diego, so I finally saw it while at home for spring break. Anyways- amazing movie. Every time Wes Anderson makes a film, it becomes impossible to rank it among the others. This film was absolutely amazing, but was it better than Rushmore or The Royal Tenenbaums? It’s hard to say, really, they are all just so great. His visual style as well as his use of deadpan humor, minimalist dialog and a number of common themes tie his films together, and sitting next to each other on a shelf, they certainly feel related. I will not go on and on about the movies, as Rushmore Academy (The net’s biggest and best Anderson fan site) has done that well enough. I will say though, that each of his movies has certainly impacted me personally, and the way I look at family, friendship and the human condition. The idiosyncrasies of his characters and the perfection and detail of his sets, wardrobes, and soundtracks certainly convey his own little beautiful world, utterly separate from our own, but it would be hard to call his work fantasy. In the case of his most recent work, I felt so connected to all three of the Whitman brothers, in different ways. I certainly feel that my obsessive compulsive nature can be similar to Francis, but I definitely feel that my attachment to women is conveyed in Jack. Strangely enough, as hard as it is to say (as always with Anderson), my favorite of the three is probably Adrien Brody as Peter. I am in total anticipation for 2009’s The Fantastic Mr. Fox (I loved Roald Dahl as a child.) It is a shame that this film, along with his previous four, didn’t win the oscar.
A few years back, some of the Yankee Racers organized a Wes Anderson Film Festival.
We want to try it again. We would put up a chat room, meet at a designated time, and press play simultaneously. What do you think? What film should we watch together first?
French photographer Pierre Wetzel lives and works in Bordeaux. He specializes in portrait and music photography.
Photos republished with permission from the author. Please visit his online galleries. Reproduction of these photographs without the consent of Mr. Wetzel is a copyright violation.
Nice post from OMG Lists, a site that apparently specializes in… lists? Nothing earth-shattering here, but worth a look.
The text is reproduced below, but be sure to visit the original post for video evidence.
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He’s one of indie filmmaking’s biggest names. If you ever find yourself watching a film you’re not sure who directed… here’s a checklist of signs to know you’re watching one of Anderson’s films.
5- Bill Murray Being Serious
If you’re seeing this comic king in a movie that was made in the past ten years it’s probably a Wes Anderson movie. Of the last fifteen film projects Murray has done four have been with Anderson. It was his role in “Rushmore” that made him an indie-film darling with such directors as Jim Jarmusch and Sofia Coppola. Murray has a strong commitment to Anderson, backing up the director by pulling out of his own pocket to help shoot a scene and also working for free in “The Royal Tenenbaums”. Their film relationship has produced some interesting film experiences as well as a partnership of respect and comradeship.
4- Slow Motion Endings
In all but one of his films, Anderson has ended with the slow motion shot. We saw Dignan leaving for prison in “Bottle Rocket”, Max’s Dance with Miss Cross in “Rushmore”, Royal Tenenbaums’s funeral, and Steve Zissou walk the red carpet all in slow motion into the end credits. It’s a signature style that Anderson has replicated in most of his films. Also notice the credits, first name in lower and uppercase but the last name is always uppercase. The only movie that broke the slow motion ending tradition? “The Darjeeling Limited,” which began with a slow motion shot of Peter Whitman barely making the namesake train.
Another Wes sighting in Paris, this time noted on fashion design team Eley Kishimoto’s blog:
Whilst taking Alexis to see the window on the last night of fashion week Wes Anderson strolled by with a banjo over his arm walking with what looked like a band that consisted of two members I didn’t recognise and Jarvis Cocker. Alexis knees buckled fumbling at her crash helmet, it was a pleasant suprise as when we started we had dinner with Jean and met Wes and discussed it. He stated lets stay 2m and take it in, very sweet, honked the horn and off we road.
Wes in a band? With JC? Sounds like a dream come true…
Another Wes sighting in Paris, this time noted on fashion design team 
